The author speaks exclusively to Bazaar about winning the Women's Prize for Fiction 2022
June 17, 2022
Harper’s Bazaar | Interview by Marie-Claire Chappet
Ruth Ozeki: "I wouldn't be a writer without the support of women."
The author speaks exclusively to Bazaar about winning the Women's Prize for Fiction 2022
June 17, 2022
Harper’s Bazaar | Interview by Marie-Claire Chappet
Ruth Ozeki: "I wouldn't be a writer without the support of women."
Voices of everyday things fill The Book of Form and Emptiness, rooted in how she experienced the loss of her father. Ruth Ozeki on her Women’s prize-winning novel.
June 17, 2022
The Guardian | Interview by Lisa Allardice
Can Objects Teach Us About Reality - Ruth Ozeki on her Women's Prize Winning Novel
Rachel and Simon speak with the novelist Ruth Ozeki. In the 1980s Ruth worked in film, first as an art director and production designer for low-budget horror films, then as a writer, producer and director of independent films. "Halving the Bones" (1995), a documentary about her family history and the process of bringing her grandmother's remains from Japan, was nominated for the Grand Jury Prize at the Sundance Film Festival. Her first novel, "My Year of Meats", was published in 1998 and "All Over Creation" followed in 2003. In 2010 Ruth was ordained as a Soto Zen Buddhist priest. "A Tale for the Time Being", published in 2013, was shortlisted for the Booker Prize and has been published in more than 30 countries. We spoke to Ruth about her childhood interest in writing, the mutually reinforcing practises of novel-writing and Zen Buddhism, and her new novel, "The Book of Form and Emptiness", recently shortlisted for the Women's Prize.
May 3, 2022
Always Take Notes Podcast
Always Take Notes, Episode #133: Ruth Ozeki, novelist
Zen Buddhist priest Ruth Ozeki on her new book, “The Book of Form and Emptiness,” and why she believes people should not be preoccupied with material possessions.
April 29, 2022
Good Morning America | ABC News Faith Friday
Good Morning America, Faith Friday
“I have all sorts of fancy ideas about why I can’t maintain omniscience. I don’t believe in a monolithic, all-seeing god. I’m mixed-race. I perceive everything as being fractured or multiplicitous; maybe that’s why I see everything from multiple points of view.”
March 26, 2022
iNews
Ruth Ozeki on The Book of Form and Emptiness